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This past month I had a particularly enlightening trip down memory lane, inspired by the sale of a favorite piece from a previous series.
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| Athena Stays the Dawn ©lesliepetersonsapp |
When in college I did a series of art based on Shakespeare’s Richard III- I was so enamored with Sir Laurence Olivier’s movie I decided to create paintings with the characters in different contexts and times.
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| Richard III College work by Leslie Peterson Sapp |
When in my 30’s, I created work based on mythology from ancient Greece and pagan Europe.
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| The Green Man ©lesliepetersonsapp |
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| Offering ©lesliepetersonsapp |
I love and enjoy observational painting, but I seem compelled to tell a story with my art, to create a narrative. I am driven to explore and share the landscape of my imagination. The sale of Athena Stays the Dawn brought back memories of all the ways I have used art to tell stories. It seems that the act of telling a story is more important than the trappings of time and place and specific characters.
It has been said that film noir are modern day myths.
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| Vacancy, hand painted intaglio |
For now, I am entirely caught up in the dark labyrinth of film noir. But who knows what stories my future art will tell?
If you are interested in seeing my work based on The Odyssey, visit this page on my website.
If you want to read posts about it, here are some links to my blogposts about it.
My New Series Based on The Odyssey
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Georgia O'Keeffe is one of those rare artists who is a household name, whose work is instantly recognizable. She is known, of course, for her flower imagery, and her depictions of the American South West landscape. But she also did glorious, imaginative citiscapes.
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| The Hotel Sheraton with Sunspots |
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| New York Street with Moon |
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| Radiator Building |
In my newest piece, involving a man, reading a newspaper up against a building, I am thinking a lot about these images, and I lifted ideas directly from them, particularly this one here:
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| Georgia O'Keeffe, Ritz Tower, 1928 |
This piece, Watch, is still in process (though it seems to be close to being done). When I decided to add the lighted windows, I was taking a huge artistic risk and it changed the whole piece. It is The Ritz Tower by Georgia O'Keeffe that has been guiding me through.
Watch is 20x40, and has collaged newspaper, as well as collaged windows.
You can see the blow by blow process of making this painting on my Instagram, Facebook or, yes, even Twitter.
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| Watch, July 20, 2021 |
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| Watch, July 28, 2021 |
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After doing mostly collage for a few years, I have taken a turn to painting again. Although I love the effect of the collage, painting provides me with agility and fluidity that I have come to miss. When I wish to alter or change a piece, a simple swipe of the brush and it is done.
With paint I am working hard on developing richness and depth, and expand upon the chiaroscuro effects so integral to the famous film noir aesthetic.
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| ©lesliepetersonsapp The Knave of Swords 30x20 |
It is a wonderment to me that during this time of increased awareness of the plight of Asian Americans, and during Asian American and Pacific Islander Heritage Month that my latest male figure should arrive in the form of a sexy, bad-ass Asian man.
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| ©lesliepetersonsapp Queen of Diamonds 30x20 |
With this new beauty, I felt inspired to make a painting with a woman playing cards with us, the viewer, and at the same time doling out our fate. A real woman, and a quasi-super-natural element of fate at the same time. The question was, which suit should I make her? Which suit would pack the most amount of symbolic punch?
I solved it by creating an engaging online poll in my social media communities, asking my fans to vote on which suit, hearts or diamonds would best represent my newest femme fatale. The Queen of Hearts got a good showing, The Queen of Diamonds was the undisputed winner.
To learn more about the unexpectedly complicated decision about which suit to choose, I have written an interesting blogpost about it, entitled When a Card Isn’t Just a Card: A Lesson in a Lexicon of Racism
If you are interested in witnessing the blow-by-blow, non-stop action of what it takes to create an artpiece, you can follow me on social media:
Even Twitter
In this short video, you can watch me paint the diamond on this card of Fate!
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I am fascinated by playing cards and their symbolism. I recently felt inspired to make a painting with a woman playing cards with us, the viewer, and at the same time doling out our fate. A real woman, and a quasi-super-natural element of fate at the same time.
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| ©lesliepetersonsapp Queen of Diamonds |
I started to research the four card suits and any symbolic meanings that might be associated with them. I was especially enjoying The Queen of Spades. In cartomancy she is supposed to represent a woman who is intelligent and strategic. She is also featured in a book by Pushkin and an opera by Tchaikovsky. Sometimes she is called The Black Madonna, Black Maria, or The Black Lady, and is considered a powerful, “unlucky” card. In Hearts and Old Maid, she has the power to end the game. There is a variant of Seven Card Stud Poker where she is featured called “The Bitch”. In Pinochle she and The Jack of Diamonds make a significant hand, boding doom for one’s opponent. I thought she would be the perfect candidate for this femme fatale, this goddess of chaos I was dreaming up. I was even considering making a companion piece called The Jack of Diamonds.
But my curiosity led me on an unexpected journey.
Way back in 1998 I saw the movie Bulworth. In it there is a scene where the main character, played by Warren Beatty, says to an audience full of African Americans “Let’s call a spade a spade” and the crowd erupted with indignation. Ever since then I have passively wondered about that and I thought now was the time to look up the phrase.
It turns out it has evolved into a racial slur.
The evolution of the phrase is fascinating. It used to mean “call it like it is”. It comes from an ancient Greek saying "to call a fig a fig and a trough a trough." Which is in itself a sexual double entendre- get it? Figs? Troughs? (Never mind. It seems like everything back then was a sexual double entendre.)
In an evolution that I only vaguely understand, the phrase was translated from Greek to Latin, from Latin to English. Note that during this time the term “spade” was still referring to gardens and gardening tools.
During the Harlem Renaissance it started to be used by Black authors to refer to “Blackness” and also to playing cards. Terms like “Black as the ace of spades” started to be used (possibly an expression of “colorism” in the Black community). But then, like so many things, it got appropriated by white authors and evolved into a derogatory term.
So, what about my new main character as The Queen of Spades? Well, it gets worse. The term “queen of spades” has evolved (or devolved) even further to refer to white women who fetishize Black men. I don’t mean date or marry or love a Black man, I mean sexually fetishize Black men, often in company with their white male partners. This is dual objectification; of the Black man, and of the white woman. It is a particularly ugly form of racism.
Out of my ignorance, I almost walked face first into a racially charged image.
Imagine that. Imagine I had not seen Bulworth all those years ago, had not remembered the term, had not decided to search Wikipedia for the phrase, had not done an additional google search specifically about The Queen of Spades. I would have made a piece of art featuring a sexy, very white woman, (white because I was thinking about the white of the playing card and wanting the painting to have echoes of that) and called it The Queen of Spades. What is doubly alarming is that I had been musing about completing that Pinochle hand by painting The Jack of Diamonds, and arbitrarily creating him as a Black man.
All completely unaware.
I have gone through my life submerged in whiteness and white culture, to the extent to where there is a racial slur, I might not even know about it or see it for what it is.
Some people might say that I am being overly precious, too “PC” or too “sensitive”. Furthermore, it might be said that many people don’t know about this particular racial slur, so why would it matter? But one of the values I hold is to be respectful of all people as much as possible. In order to do that, I need to learn about when I might be doing or saying something that is racist, because racism does harm. Period. It is important because even if I don’t intend to be racist, it doesn’t mean I haven’t caused racial harm.
Not only that, my audience is wide and varied, and I want everyone who interacts with my art to be able to relate to it- or at least not feel disrespected or hurt.
So, it was a simple matter of rethinking my metaphors. Away from the stormy waters of the suit of spades and toward the equally intriguing subjects of Love and Money. Love with The Queen of Hearts, and money with the heartless Queen of Diamonds. In fact, I turned it to my advantage by creating an engaging online poll in my social media communities, asking my fans to vote on which suit, hearts or diamonds would best represent my newest femme fatale. The Queen of Hearts got a good showing, The Queen of Diamonds was the undisputed winner.
So, The Queen of Diamonds, she is.
To read a good article about the evolution of these terms, visitCode Switch from NPR
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| ©lesliepetersonsapp Ambivalence |
But those of you who have followed my art for a while know that it wasn’t always that way.
For many years I did work in a very different style, based on vintage snapshots of ordinary people. This body of work evokes feelings of wistful nostalgia.
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| ©lesliepetersonsapp You Are the Only One 24x36 Acrylic on panel |
They are boldly drawn with thin layers of paint over visible wood grain. It was a popular and satisfying method that worked for me for years before I felt the need to evolve and change.
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| ©lesliepetersonsapp Reservoir 36x24 Acrylic on panel |
The website is organized into three pages under Portfolio. Each image on each page has a clear indication of where to inquire about the piece, and if you feel so moved, how to buy it.
visit www.lesliepetersonsapp.com to see all my work, current and otherwise!
Another way to explore this earlier style is to visit previous blogposts, especially the years 2013 and before. Look at the Archive section on the right side of this page to investigate.
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