LESLIE PETERSON SAPP
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Pursuit

2/17/2022

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She glances out the back window at a waiting yellow taxi. Who is it that pursues her and why?

©lesliepetersonsapp Pursuit 24x48
Scenes of women in trouble is very touchy. I do not want to perpetuate stereotypes of helplessness. I always want to make it seem like she has agency. Though there may be danger, you get the feeling she has a good chance of pulling through and landing on her feet!

This is a piece that went through many changes. Originally I had multiple people in the street scene as if there where a bunch of people milling around. But as things developed I could see the figures were just a distraction from the real drama. I even considered taking out the figure near the door and just leaving the car- I still don’t know if I made the right choice. Don’t be surprised if you see another version of this one. (I often feel compelled to do certain images again and again.) 

This one was just really fun. I loved working with the street light creating a cone of a lighter color. The back window of her vehicle creates a frame within a frame, and the dark color flows into her silhouetted profile and the buildings on the street. I tried to make a contrast with the bright yellow, the cool watercolor blues, and the flat dark brown/black.

Keep your eye open for a woodcut version of this piece!


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Incognito

12/9/2021

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©lesliepetersonsapp Incogito 10x8 Acrylic on panel
A voluptuous, glamorous woman leans against the doorframe, silhouetted by the bathroom light. Over her shoulder we see, hanging on the shower curtain rod, a maid’s uniform. 

In conversation about classic film noir, a common subject is that actors and actresses of color were relegated into narrow stereotyped roles, often as domestic servants of white protagonists. But of course, this didn’t just happen in the movies, it happened in real life, too. African Americans had limited opportunities and were often employed as domestics in white households. What individuality was denied or hidden?


I see a dynamic, powerful, sexy woman who has to masquerade as a demure, uniformed domestic by day- but who knows what mischief or adventures she may be involved in after hours.

And... who knows what she may know about her employers…?

 


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The Saga of "Exit"

9/11/2021

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It came from Out of the Past-  from 1947, to be exact. This scene from the famous film noir inspired images in my head that I couldn't shake.

 

 

So, in April 2021, I took a video of myself in costume walking down the stairs. Then I created a large drawing from that video. From that I developed a painting... But, like many worthwhile endeavors in life, there were twists, turns, and backtracks along the way.


I love working off of colored, textured grounds. So, in early May, I got off to an interesting start by using purple watercolor and allowing it to drip down the panel.


I sized the image of the drawing in photoshop, printed it out on sheets of paper, and transferred a light image of it onto a panel. Then, using the drawing and the photographs as a reference, I started the painting.



I spent a bunch of time creating a wood grain effect on the stairs, thinking the reddish tone would enhance my purple shadows.

It became clear that something was missing. Something needed to be in the upper left of the composition... I searched about on line and found this awesome exit sign. (Here the name of the painting came into being.)

 

I also "closed up" the space, by making sure all walls, stairs and shadows were touching each other, enclosing the figure in with no way to "escape".

Break time.

This all happened from early May to late June. I set Exit aside. I worked on other projects, such as The Hanged Man and Watch.  



There may have been a beach trip or two as well...




 

 

All the while, I kept looking at Exit out of the corner of my eye... June ended... July ran its course... 

I kept thinking... this could be better. 

It's flat.

It doesn't have the glossy dark depth I had envisioned...

It needs...       blue.


Here I am, paintbrush in mouth, glazing a layer of Prussian blue over my painting. 

I also repainted the exit sign and made it larger. 

I changed her shoes from black to white. 

I even painted over the precious wood grain stairs I had worked so hard on.

Then, after all this, I realized the exit sign was no longer needed. In fact, it had become a distraction. Now that I had all my moody blues creating atmosphere, I wanted the woman to be the focus, as if a spotlight were shining on her. So, using a razor blade, I scratched it out. 

But what about my awesome exit sign? Would I have to change the title of my painting?

With a tiny scrap of red paper and a bit of tape, I was able to see where to put my lovely vintage exit sign.



As I write this, the exit sign has been redone for a FORTH time- ⁠
⁠
Will this be my final move? Is the saga of Exit over once and for all???⁠
 

Finally, finally, I believe it is done. It started in May, and ran off and on until September.

©lesliepetersonsapp Exit

We live in a world of expediency, instant gratification and digital wizardry. But along the way, there has been a growing appreciation of the slow. For example, slow foods, artisanal cheese, vintage wine, and hand-made crafts are all important social and financial movements. 

By sharing the process of my art, I hope to celebrate the slow and deliberate. Just like life, many artistic pursuits take a long and winding road. Part of what makes art, art, is that the artist takes the time to follow that road wherever it leads.

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Everything Old is New Again

4/29/2021

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©lesliepetersonsapp Ambivalence
My Film Noir series has dark, rich colors, high drama, and often integrates collage for pop and panache.

But those of you who have followed my art for a while know that it wasn’t always that way. 


For many years I did work in a very different style, based on vintage snapshots of ordinary people. This body of work evokes feelings of wistful nostalgia. 

©lesliepetersonsapp You Are the Only One 24x36 Acrylic on panel

They are boldly drawn with thin layers of paint over visible wood grain. It was a popular and satisfying method that worked for me for years before I felt the need to evolve and change. 

©lesliepetersonsapp Reservoir 36x24 Acrylic on panel
Many of these pieces are still available! In this vein, I’ve done an entire reorganization of my website. I have included a page of available artworks in this previous style.
 
The website is organized into three pages under Portfolio. Each image on each page has a clear indication of where to inquire about the piece, and if you feel so moved, how to buy it.

visit www.lesliepetersonsapp.com to see all my work, current and otherwise!

Another way to explore this earlier style is to visit previous blogposts, especially the years 2013 and before.  Look at the Archive section on the right side of this page to investigate.


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    Here are the hotsheets with the sordid details, the true confessions, and  the inside info on my artistic process. Learn how it all happens right here!


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