A series on how film noir inspires my art- Entry #2
How did I start my film noir obsession?
I was in a state of transition with my art. Unsatisfied with the work I had been doing at that time, I went back to basics and started experimenting, and taking classes from Mark Andres. I was engaging in an exercise to copy a film still in the style of a painter of my choice. My choice was to do a still from The Bad and the Beautiful, in the style of the German Expressionist, Max Beckmann. I entitled it “Lana Turner Lost in the Land of Beckmann” The drama of the subject, matched with the freedom of Expressionist painting was a revelation.
I was hooked.
At first, I created my art directly from screenshots of films. They were very altered, but from specific scenes. Gradually, the images kept getting more and more altered, until I started to create my own scenes.
Now ideas emerge from multiple sources. I may be inspired from a film scene or photograph, or I may want to express something from my own imagination. The people I paint are slivers of my own soul, maybe even archetypes of our collective soul.
The scenes in my artwork are presented without irony and are imbued with an immediacy which invites the viewer to step into the scene as a contemporary moment. If we could walk through the picture frame and become part of the action. If this could be possible, what would you see, and who would be there?
Why Noir? is a series! Read 'em all.
Entry #1: Why Noir?
Here are the hotsheets with the sordid details, the true confessions, and the inside info on my artistic process. Learn how it all happens right here!
Not seeing what you're looking for? My previous blog on blogspot can be found HERE.